Discover Artist Portfolios

Daniela Wenzel

Bedford, NH

Paintings

Oil paintings — geometric and biomorphic abstractions exploring resilience, movement, and the interplay of color and pattern.

Daniela Wenzel

Bedford, NH

Tethered Series

Exploring connection and belonging — multicolored biomorphic entities connected by patterned umbilical cord-like ducts. Rendered in three scales: full, medium, and miniature.

Daniela Wenzel

Bedford, NH

Works on Paper

Drawings, prints, collages, and mixed media on paper.

Daniela Wenzel

Bedford, NH

Portfolio

Daniela Wenzel

Bedford, NH

Fiber & Craft

Mixed media assemblages, sculpture, textile art, driftwood pyrography, and improvised quilts.

Portfolio

Jonah Schulte

Hooksett, New Hampshire

Test Portfolio

This is it! A test!

Christine Knize

Jacksonville, Florida

Orchidelirium

In the late 19th century, a fever took hold of Victorian society. Known as "Orchidelirium," this era of orchid mania saw explorers risking their lives and collectors spending fortunes for a single rare specimen.Orchidelirium, explores that historical intersection of beauty and madness.Through a series of giant oil portraits, the orchid is reimagined not as a botanical subject,but as a monumental entity. These works aim to capture the same "delirium" that captivated the 19th-century mind—presenting blooms that are seductive, mysterious, and unapologetically feminine.The luminosity of these pieces is achieved through the traditional techniques of the masters, involving hundreds of glazes.This layering process mirrors the complexity of the flowers themselves, building a depth of color that seems to radiate from within the canvas.By scaling these intimate biological forms to a grand size, the viewer is invited to lose themselves in the folds and textures of the "queen of flowers."

2026

Various work in Acrylic and Oils

Pam LaRocco

North Canton, OH

Paintings

I paint in both watercolors and mixed media depending on my subject matter. I work mostly impressionistic or abstract enjoying defining my subject by an impression of it not a photographic image. I like the freedom that gives me in creating what I feel as apposed to its exact appearance.

paintings

Relief sculpture